Mollywood

Drishyam 3 Opens to ₹48 Crore Worldwide on Day 1, Becomes Second Biggest Mollywood Opening after Empuraan

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Georgekutty is back, and Kerala noticed. Drishyam 3 opened on May 21 — Mohanlal’s birthday — to occupancy figures that told the story before the numbers did. By 4 PM on Day 1, theatre occupancy had crossed 90 percent. Over 500 late-night shows ran in Kerala alone. The collection followed.

According to Sacnilk, Drishyam 3 collected ₹18.37 crore gross and ₹15.85 crore net from India on its opening day. Overseas markets, including a strong GCC response, contributed close to ₹30 crore. The worldwide Day 1 gross stands at approximately ₹48.37 crore, per Sacnilk’s early figures — with reports suggesting the final tally could touch ₹50 crore once all markets are fully accounted for.

What the Numbers Mean

For context, this is a Malayalam film — not a pan-Indian Baahubali-scale production, not a Hindi tentpole with 5,000 screens. A ₹48 crore worldwide opening for a Malayalam thriller, even one with the Drishyam brand, is a number that demands a second look. The franchise has outgrown any reasonable ceiling that existed for it in 2013 when the first film released.

drishyam 3 second highest mollywood opening

Audience response from early shows has been uniformly strong. Viewers coming out of screenings have specifically praised the suspense construction and the film’s climax, with theatre reactions — applause at the end of screenings — being widely reported across Kerala. Jeethu Joseph, who has written and directed all three parts, appears to have delivered on the weight of expectation the franchise carries.

Director Jeethu Joseph had flagged before release that Drishyam 3 would be tonally different from the first two — less of a heavy procedural thriller, more focused on where Georgekutty and his family stand four years on. Whether that shift works is something audiences are now deciding, and early verdicts suggest it does.

The second day, with word-of-mouth now fully in the market and the weekend beginning, will be the real indicator of where this run is headed. A film tracking toward ₹50 crore on Day 1 worldwide, with 90 percent occupancy and 500 late-night shows in a single state, has a long way to run yet.

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